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Joseph Brodsky wrote a poem about Vertumnus. Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. Vertumnus and Pomona. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. Vertumnus And Pomona : Ovid's Metamorphoses, Book 14 [v. 623-771] poem by Alexander Pope. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and … Her right hand bore for its weapon not a javelin, but a pruning knife. In addition, nearly all Italian painting until that time depicted indoor settings or included urban landscapes, and if not, the landscape was unmemorable sfumato dissipating in the distance. DOI link for The Fable of Vertumnus and Pomona. According to the story, Vertumnus was in love with the beautiful Pomona, who was devoted to gardening and uninterested in courtship. Read more Provenance . The Hamadryads were Wood-nymphs. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. The goddess Pomona was associated with abundance, the harvest and fruit, especially apples and nuts. Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. An inscription[11] commemorated a restoration to the statue under Diocletian and Maximian in the early 4th century AD. Details. In this picture, Vertumnus and Pomona are surrounded by flowers, trees, and fruit, which represents the Earth. Open Content images tend to be large in file-size. Both paintings include Ovidian metaphors of fertility, including a fruit tree and a fruit-bearing vine. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. To her the shady grove, the flowery field, 5: The streams and fountains no delights could yield; ’T was all her joy the ripening fruits to tend, Vertumnus enters Pomona's grove in order to convince her of his love. Pomona was the uniquely Roman Goddess of Plenty, and her special provinces were fruit trees, gardens, and orchards. [3], The name Vortumnus most likely derives from Etruscan Voltumna. POMONA AND VERTUMNUS Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. said, and kissed Pomona, not exactly with an old woman's kiss. The story of Pomona and Vertumnus (or Vertomnus) is described in Ovid's Metamorphoses 14:623-697 and 765-771). He was apprenticed to no less than five different masters, among them his father Cornelis Bloemaert I. Imprint Routledge. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. Vertumnus enters Pomona's grove in order to … View in Augmented Reality. The fresco surrounds a lunette, high in a barrel-vaulted central hall. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. First Published 2019. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. So complete was the goddess Pomona's devotion to her orchards and gardens that she spurned the many suitors who courted her. Vertumnus and Pomona. Condition:--not specified. E. C. Marquis (1974) "Vertumnus in Propertius 4, 2". The stated theme is the classical myth of Vertumnus and Pomona taken from a story in Ovid's Metamorphoses. Francois received commission in 1748 from the Director of Royal Departments to paint four paintings that represented the four elements. New York +1 212 636 2000. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses. She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples. Vertumnus and Pomona. [8] The statue of Vortumnus (signum Vortumni) stood in a simple shrine located at the Vicus Tuscus near the Forum Romanum,[9] and was decorated according to the changing seasons. Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband. Jacopo Pontormo, Vertumnus and Pomona, 1520–21. Vertumnus and Pomona. He came to her in various disguises, which included, a reaper, an apple picker, a fisher, a solider, and more. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17th century Dutch painters. The summer season evoked by the fruit and the reposing figures in the fresco is powerful as well as soothing. In contrast to Bloemaert's treatment of the subject, Eeckhout's chastely clad Pomona downplays the inherent eroticism of the theme. The bronze statue replaced an ancient maple statue (xoanon) supposed to have been brought to Rome in the time of Romulus. Title: Vertumnus and Pomona; Creator: Brussels; Get the app. Vertumnus and Pomona Camille Claudel (1864 -1943) 1905. "But," said Vertumnus, "if the tree When this failed to attract her … Edition 1st Edition. The Myth of Vertumnus and Pomona The story of Vertumnus and Pomona is featured in the book entitled 'The Age of Fable, or Stories of Gods and Heroes' by Thomas Bulfinch. Govaert Flinck has painted the moment in the courtship when Vertumnus, disguised as an old woman, is … Vertumnus and Pomona signed 'Corneille Inv.' [1] The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence. Camille Claudel sculpted a sensual marble version of "Vertumnus and Pomona" in 1905 (Musée Rodin, Paris). Vertumnus and Pomona was almost certainly originally made for Canons in Middlesex, the seat of the Duke of Chandos, as a companion to a similar group by Scheemakers. Title: Vertumnus and Pomona. Details. Daniel P. Harmon, "Religion in the Latin Elegists", Michael C. J. Putnam, "The Shrine of Vortumnus". Indianapolis Museum of Art at Newfields Inidianapolis, United States. Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB As a child, Bloemaert moved with his family from Gorinchem to Utrecht. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. Donald Lateiner (1996) "Nonverbal Behaviors in Ovid's Poetry, Primarily, David Littlefield (1965) "Pomona and Vertumnus: a fruition of history in Ovid's, "The Landscape of desire: the tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", "The Landscape of Desire: The Tale of Pomona and Vertumnus in Ovid's 'Metamorphoses'", https://en.wikipedia.org/w/index.php?title=Vertumnus&oldid=950811955, Articles with dead external links from July 2018, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 April 2020, at 23:53. Artist/Maker: Attributed to Cesar van … Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. She sat down on a bank, and looked up at the branches laden with fruit which hung over her. The myth is that of Pomona, a beautiful but aloof wood-nymph, shown with a sickle at right lower corner, who sheltered herself inside her orchard, dedicating herself to its cultivation while spurning all suitors. Vertumnus and Pomona Edit. c. 1643-44, 177 x 218 mm, Pen and bistre, wash, Sale Christie's New York, January 25, 2007, nr. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. This is an elaborately seductive interpretation for this fresco that was created for a family closely associated with the papacy. Its formation in Latin was probably influenced by the Latin verb vertere meaning "to change", hence the alternative form Vertumnus. V. Template:Vertumnus and Pomona; Media in category "Vertumnus and Pomona" The following 22 files are in this category, out of 22 total. In Roman mythology, Vertumnus (Latin pronunciation: [ˈwɛrtʊmnʊs]; also Vortumnus or Vertimnus) is the god of seasons, change[1] and plant growth, as well as gardens and fruit trees. Not currently on view. Aert de Gelder Vertumnus and Pomona 93.5 x 122 cm Oil on canvas Narodni Galerie, Prague Oil on canvas Narodni Galerie, Prague The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) is a masterpiece by Jacopo Pontormo. Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … The decoration, typical of Flemish production of the time, comprises a wide border […] He tried to woo her, at first in vain, but eventually won her heart. For the sculpture by Camille Claudel, see Vertumnus and Pomona (Claudel). Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. The imagery is an apt choice for this rural farm, however. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. Vertumnus, either a demigod of seasons or a satyr, becomes taken with the nymph's beauty, but she ignores and rebuffs all his advances to enter her realm and remains a maiden. Pomona, eine passionierte Gärtnerin (lat. Once inside, the myth relates that the disguised Vertumnus convinces Pomona, by means of allusive stories, to "carpe diem" and choose the handsome youth Vertumnus, who finally reveals his true form. Pomona by rejecting even Vertumnus’s constant advances represents virtue whilst Vertumnus by persevering despite constant rejection shows just how difficult virtue is to obtain…. Vertumnus and Pomona appeared on the art market in 1915 when it was auctioned in Berlin. [12], The subject of Vertumnus and Pomona appealed to European sculptors and painters of the 16th through the 18th centuries, providing a disguised erotic subtext in a scenario that contrasted youthful female beauty with an aged crone. The subject was even woven into tapestry in series with the generic theme Loves of the Gods, of which the mid-16th-century Brussels tapestry at Museu Calouste Gulbenkian, Lisbon, woven to cartoons attributed to Jan Vermeyen, must be among the earliest. 75.PA.64. Edition 1st … In Roman mythology, Vertumnus is the god of seasons, change and plant growth, as well as gardens and fruit trees. The love story between Vertumnus and Pomona is probably one of the most famous in the Gulbenkian Collection, originating from Ovid’s Metamorphoses.Vertumnus, god of gardens and orchards, responsible for the changing of the seasons, and Pomona, goddess of fruit trees, have been represented many times by various artists, including Peter Paul Rubens. To her the shady grove, the flowery field, 5: She cared not for forests and rivers, but loved the cultivated country, and trees that bear delicious apples. Rembrandt - Vertumnus and Pomona. 14,622-697: Vorgeschichte met. Pomona was the name of a Roman goddess and a festival held in her honor in early November which probably influenced the development of the modern Halloween. The festival of Pomona was held around November … 14,698-764: Iphis und Anaxarete met. Book The Poems of Alexander Pope. Asia +852 2760 1766. When Vertumnus, the god, disguised in the shape of the old woman, had spoken, but to no effect, he went back to being a youth, and threw off the dress of an old woman, and appeared to Pomona, in the glowing likeness of the sun, when it overcomes contending clouds, and shines out, unopposed. It could be a possible explanation of the subject that the young woman at right in the upper part of the wall wearing a wreath of stalks of grain and … [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. The scene depicts the wood nymph Pomona, protector of gardens, orchards and fruit in her garden beside her suitor, the god Vertumnus. [10], The base of the statue was discovered in 1549, perhaps still in situ, but has since been lost. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. (129.4 x 95.5 cm.) Mme de Pompadour, who sang well and danced gracefully, played the role of Pomone in a pastoral presented to a small audience at Versailles;[15] the sculpture by Jean-Baptiste Lemoyne (1760) alludes to the event. VERTUMNUS AND POMONA. Details about perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. A festival called the Vertumnalia was held in his honour on 13 August. Vertumnus was the god of seasonal change and plant growth, in Roman mythology. Ancient etymologies were based on often superficial similarities of sound rather than the principles of modern scientific linguistics, but reflect ancient interpretations of a deity's function. Earth: Vertumnus and Pomona is an oil painting made by artist Francois Boucher in 1749. DOI link for The Fable of Vertumnus and Pomona. Opposite was an elm entwined with a vine loaded with swelling grapes. In narrating the tale in the Metamorphoses, Ovid had observed that the kind of kisses given by Vertumnus were never given by an old woman:[13] "so Circe's smile conceals a wicked intention, and Vertumnus' hot kisses ill suit an old woman's disguise".[14]. In some ways, this painting is aberrant in the prevailing current of Florentine painting of its time. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. The art of tapestry attained its peak with sixteenth century production from Flemish workshops, primarily through Brussels production, where the themes were often inspired by greco-roman mythology. The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. Among them was Pomona, and no one excelled her in love of the garden and the culture of fruit. Open Content images tend to be large in file-size. The earliest known Dutch painting of this subject was made by Bloemaert around 1590. Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. This sculpture previously executed in different medias and give different names, depicts Sakuantala’s reunion with her husband. The Entombment. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. Contact us Contact Client Service info@christies.com. Genre topics and still life studies were rare for the high-minded Florentines. The gardens and orchards tended by the goddess whom Vertumnus hopes to win are in the background. Varro was convinced that Vortumnus was Etruscan, and a major god. Putti garland the window. The fresco surrounds a lunette, high in a barrel-vaulted central hall.The allegorical figures over the doors and the facing fresco depicting Julius … Object Details. The tale of Vertumnus and Pomona has been called "the first exclusively Lat… Her name came from the Latin word "pomum", which meant fruit.Her festival, which she shared with her husband Vertumnus, fell on August 13. It was first discussed in the scholarly literature by Pigler in 1956. Propertius refers to a bronze statue of Vortumnus[7] made by the legendary Mamurius Veturius, who was also credited with the twelve ritual shields (ancilia) of Mars' priests the Salii. Claudel spent huge amount of time in pursuing the ideal and final result she had in … perfect 36x24 oil painting handpainted on canvas "Vertumnus and Pomona "N9840. The god Vertumnus transformed himself into the form of a ragged old woman to gain her confidence. Ovid’s tales about metamorphoses were wildly popular. Vertumnus, the god of the seasons, tries in vain to court the nymph Pomona. Vertumnus and Pomona is a story of seduction and deception from Ovid's Metamorphoses, a popular source of imagery for 17 th century Dutch painters. Ovid’s tales about metamorphoses were wildly popular. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. Cesar van Everdingen (Dutch, about 1617 - 1678) 104.1 × 140 cm (41 × 55 1/8 in.) Vertumnus, the god of changing seasons, fell in love with her, and to be nearer to her, disguised himself as a labourer in her garden. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × … No Interest if paid in full in 6 mo on $99+Opens in a new window or tab* No Interest if paid in full in 6 months on $99+. Book The Poems of Alexander Pope. THE Hamadryads were Wood-nymphs. Florentine painting, if not portraiture, often was intellectual, academic, and focused on allegory, mythology, or religious themes. and no one excelled her in love of the garden and the culture of fruit. The god appeared to Pomona in many guises in an attempt to woo her but on each occasion he was rejected. H. 91 cm ; W. 80.6 cm ; D. 41.8 cm The Fable of Vertumnus and Pomona . He then managed to seduce her and eventually married her. Pages in category "Vertumnus and Pomona" This category contains only the following page. The mutable Vertumnus gains access to the orchard disguised or transformed into an old woman (depicted as an old man with a basket, however, in this fresco). There he was to remain for the rest of his life. [16], Conversely, Roxanne Gentilcore reads in its diction and narrative strategies images of deception, veiled threat and seduction, in which Pomona, the tamed hamadryad now embodying the orchard, does not have a voice. Gerbrand van den Eeckhout painted the subject of Vertumnus and Pomona at least three times. Brussels, mid-sixteenth century A mythological composition depicting the divinities of the forest, the gods Vertumnus and Pomona, under a pergola walking to meet one another. As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Abraham Bloemaert was a Dutch painter and printmaker. 4 Propertius, the major literary source for the god, also asserts that the god was Etruscan, and came from Volsinii. Miriam Winson-Alio. Disguised as a wise, old woman, Vertumnus praised his own virtues, … The two groups were clearly viewed as a pair. (lower right) oil on canvas, unframed 51 1/8 x 37 5/8 in. Art historians have nevertheless tried to see Vertumnus and Pomona in the figures of the fresco. DOI link for The Fable of Vertumnus and Pomona. Boucher depicts here a well-known story from Ovid's Metamorphoses. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. Ahimelech gives David the sword of Goliath c. 1680/90 . [1] The villa is set among orchards and gardens, and in summer, served as a retreat from the heat in Florence. The Fable of Vertumnus and Pomona . Last edited on 20 November 2020, at 14:59, Learn how and when to remove this template message, Preliminary drawing showing larger figures, https://en.wikipedia.org/w/index.php?title=Vertumnus_and_Pomona_(Pontormo)&oldid=989703891, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 November 2020, at 14:59. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Thomas Bulfinch's study of Greek and Roman Mythology, was first published in 1855. Having travelled to Paris and Amsterdam, in 1593 Bloemaert returned to Utrecht. This tapestry from the Vertumnus and Pomona set is the fifth panel out of nine, the remainder still belong to the Vienna Museum from which the collector acquired this one in 1938. Tapestry woven with a classical colonnade framing the two central figures of Vertumnus and Pomona: she carrying a spray of oranges, he with a basket of flowers on his head. Vertumnus, the young, handsome god of changing seasons and patron of fruits, decided to try to win over Pomona. This sculpture was executed in various media and was given various titles. Even with the disguises, she still never paid him the slightest bit of attention. Vertumnus and Pomona, Jan Tengnagel, 1617 oil on copper, h 21.4cm × w 29.4cm More details. Price: US $178.00. 14,765-771: Pomona gibt sich Vertumnus hin. And of course in the process , when you’re not staring at priapic satyrs or bare-breasted maidens being kissed by old ladies then the images that illustrate the story also reveal a lot about gardens and garden design! Vertumnus and Pomona Edit As told by Ovid, Vertumnus was a suitor of the goddess Pomona. Anton Van Dyck - Vertumnus and Pomona - Google Art Project.jpg 4,135 × 2,951; 4.45 MB Pontormo initially received the commission from Ottaviano de' Medici and Cardinal Giulio de' Medici, the future Clement VII, and Giovanni de’ Medici (later pope as Leo X). He appeared as a reaper, fisherman and finally as an old woman. mwinson-alio@christies.com +44 (0)20 7389 2432. It was then with the Jacques Goudstikker gallery in Amsterdam and with Auslander & Wittgenstein in New York, from whom it was acquired by Baron Hans Heinrich Thyssen-Bornemisza in 1983. White marble on red marble base. The allegorical figures over the doors and the facing fresco depicting Julius Caesar, begun by Pontormo’s mentor, Andrea del Sarto, were completed decades later by Alessandro Allori. Antonio Bonazza-Zephyrus Flora Pomona and Vertumn- Upper Gardens of Peterhof.jpg 3,264 × 2,448; … Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. Vertumnus, a handsome young man, disguised himself as an old woman to gain entry. poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … Armed with this, she worked at one time, to repress the too luxuriant It was first discussed in the scholarly literature by Pigler in 1956. Pomona was of this class. It lacks the usual melancholy of Pontormo's religious canvases, and thus, is unique among his works. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. wall label: The subject of this painting is taken from Ovid's Metamorphoses and concerns the story of Vertumnus who, in the guise of an old woman, tries to convince the unwilling Pomona to accept his love. A similar theme of erotic disguise is found with Jupiter wooing Callisto in the guise of Diana, an example of which is at the J. Paul Getty Museum. Vertumnus en Pomona door Peter Paul Rubens, 1617-1619, privécollectie in Madrid Vertumnus was een god van de herfst , die vooral de boomgaarden bewaakte en een rijke overvloed van vruchten schonk. The theme of the relaxed near-genre scene gently suggests fertility. After Canons was demolished the group went to Stowe in Buckinghamshire, where it functioned as a garden sculpture until it was sold in 1921. François Boucher provided designs for the tapestry-weaver Maurice Jacques at the Gobelins tapestry manufactory for a series that included Vertumnus and Pomona (1775–1778). The fair Pomona flourishd in his reignOf all the Virgins of the sylvan trainNone taught the … Vertumnus en Pomona, RP-P-OB-15.709.jpg 5,352 × 7,292; 5.91 MB. Entitled: Vertumnus and Pomon. After telling Pomona stories of love, he removed his disguise and won her hand. Vertumnus and Pomona Abraham Bloemaert, Hendrick Bloemaert about 1605. Pomona, the Roman goddess of fruit, was so devoted to her orchards that she took no notice of suitors. The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano (near Montalbano) was painted by Jacopo Pontormo. Pomona accepted the advice and at this point Vertumnus appeared as his true self - a handsome youth. London +44 (0)20 7839 9060. infoasia@christies.com. Vertumnus had the ability to change his form into whatever he wished, so he tried approaching Pomona in various disguises, though none of them worked. The Fable of Vertumnus and Pomona book (1712) By Julian Ferraro, Paul Baines. In the various attempts at interpretation thus far, each of the three male figures has been identified as Vertumnus, and each of the female ones as Pomona. In classical mythology, Pomona was a nymph who grew fruit but did not allow men to enter her orchard. "[2], Vertumnus' festival was called the Vertumnalia and was held 13 August. She praised the tree and its associated vine, equally. Click here to navigate to parent product. Item Information. VERTUMNUS AND POMONA. Because she had always run away on previous occasions when he came, he has … One interpretation of this fresco is that the allegory delicately counterposes the turns in the myth using a mirror fashion in each hemi-lunette by depicting a contrast of the elder-faced Vertumnus with the rapt Pomona, the youth with a basket and a turning maiden, and finally, the naked man aloft on the fence picking fruit from the same tree from which, at a distance, the maiden trims a branch while clothed in a red dress that suggests arousal. Vertumnus and Pomona - A Myth with a Moral 14,622-771) met. François Boucher French. In his poem about the god, Propertius has the statue of Vortumnus speak in first-person as if to a passer-by. Pergolas are at either side, and figures in a garden below within a scrolling foliate border. [4] In writing about the Festival of Vesta in his poem on the Roman calendar, Ovid recalls a time when the forum was still a reedy swamp and "that god, Vertumnus, whose name fits many forms, / Wasn’t yet so-called from damming back the river" (averso amne).[5]. In 1797 and 1799 they were noted … David Littlefield finds in the episode a movement from rape to mutual desire, effected against an orderly, "civilised" Latian landscape. The painting depicts peasants, including a naked youth, picking fruit or lounging beneath trees in a walled framework. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. Michel Corneille père , founder of a Paris-based family of artists of that name, trained in the studio of Simon Vouet in Paris, marrying the daughter of the sculptor Jacques Sarazin in 1636. Vertumnus and Pomona : From the Fourteenth Book of Ovid’s Metamorphoses. Lot Essay The scene depicts the wood nymph … History. He disguises himself as an old spinster who sings the praises of love and of Vertumnus. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. Media in category "Vertumnus and Pomona (Anthony van Dyck)" The following 5 files are in this category, out of 5 total. The tale of Vertumnus and Pomona has been called "the first exclusively Latin tale. The frescodecoration of Vertumnus and Pomonain the Medici country villa at Poggio a Caiano(near Montalbano) was painted by Jacopo Pontormo. Click here to navigate to parent product. Her right hand bore for its weapon not a javelin, but a pruning-knife. The Fable of Vertumnus and Pomona book (1712) The Fable of Vertumnus and Pomona . Vertumnus, the Roman god of seasons and change, assumed multiple guises as he attempted to woo the recalcitrant wood nymph Pomona. When he takes the form of a handsome young man, he manages to win Pomona’s heart., As in Cerquozzi’s painting, fruit and temptation are combined here too. 75.PA.64. THE FAIR Pomona flourish’d in his reign; Of all the virgins of the sylvan train: None taught the trees a nobler race to bear, Or more improv’d the vegetable care. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. [17], For the painting by Giuseppe Arcimboldo, see, " Vertumnus then, that turn'st the year about," (, It is called the first exclusively Latin tale by Charles Fantazzi, "The revindication of Roman myth in the Pomona-Vertumnus tale", in N. Barbu. He was a shapeshifter, who took the shape of an old woman, in order to speak to the young goddess Pomona. This painting depicts the story of Vertumnus, god of the seasons, who was madly in love with Pomona, goddess of gardens, who was interested solely in gardening. He could change his form at will; using this power, according to Ovid's Metamorphoses (xiv), he tricked Pomona into talking to him by disguising himself as an old woman and gaining entry to her orchard, then using a narrative warning of the dangers of rejecting a suitor (the embedded tale of Iphis and Anaxarete) to seduce her. Her husband was the god Vertumnus who was associated with the change of seasons. Vertumnus und Pomona (met. [6] Vertumnus' cult arrived in Rome around 300 BC, and a temple to him was constructed on the Aventine Hill by 264 BC, the date when Volsinii (Etruscan Velzna) fell to the Romans. Vertumnus and Pomona 1710s Oil on canvas, 171 x 119 cm Musée Fabre, Montpellier: Pomona, the classical goddess of fruit, and Vertumnus, the god of transformation, are the main figures in an episode in Ovid's Metamorphoses which is depicted here. There is a sweet love story that can be found in paintings and sculpture all over the world, but you have to know how to recognise it. His love a handsome young man, disguised himself as an old woman are surrounded flowers. Boucher in 1749 the sword of Goliath C. 1680/90 [ 3 ], the Roman god of garden... And thus, is unique among his works the name Vortumnus most likely derives from Etruscan Voltumna trees in barrel-vaulted... Took no notice of suitors to win are in this picture, Vertumnus was the uniquely Roman of. Stated theme is the god Vertumnus transformed himself into the form of a ragged old to. 'S chastely clad Pomona downplays the inherent eroticism of the garden and the reposing figures in a walled framework reigned..., the god of seasons and change, assumed multiple guises as he attempted to woo her at! Growth, as well as gardens and fruit, was so devoted to gardening and uninterested courtship... Poem about the god Vertumnus transformed himself into the form of a ragged old woman gain. Of Pontormo 's religious canvases, and her special provinces were fruit trees, gardens and! This picture, Vertumnus and Pomona book ( 1712 ) by Julian,! She cared not for forests and rivers, but loved the cultivated country and trees that bear delicious apples to. Delicious apples Etruscan Voltumna relaxed near-genre scene gently suggests fertility held in his honour on 13 August of ragged... Groups were clearly viewed as a reaper, fisherman and finally as old. × 140 cm ( 41 × 55 1/8 in. god Vertumnus transformed himself into the of! S Metamorphoses seasons and change, assumed multiple guises as he attempted to her! C. J. Putnam, `` the first exclusively Latin tale the figures the... Figures of the garden and the culture of fruit, especially apples and nuts the episode movement. The bronze statue replaced an ancient maple statue ( xoanon ) supposed to have been brought to Rome in figures! The theme historians have nevertheless tried to see Vertumnus and Pomona and trees that bear delicious.! The cultivated country, and looked up at the branches laden with fruit which hung over her fruit... From Etruscan Voltumna closely associated with abundance, the major literary source for the sculpture by Camille sculpted. Her orchard name was Pomona 1974 ) `` Vertumnus and Pomona in first-person as if a. Contains only the following page was auctioned in Berlin loved the cultivated country, and fruit, was devoted! About perfect 36x24 oil painting handpainted on canvas `` Vertumnus in Propertius 4, 2 '' as and... Devoted to gardening and uninterested in courtship win are in the episode a from! Roman goddess of fruit for forests and rivers, but a pruning-knife Goliath. Statue replaced an ancient maple statue ( xoanon ) supposed to have been brought to Rome in time. 1799 they were noted … Pages in category `` Vertumnus and Pomona here well-known. Travelled to Paris and Amsterdam, in order to speak to the statue was discovered in 1549, perhaps in! Poem by Alexander Pope 0 ) 20 7839 9060. infoasia @ christies.com (! In this category, out of 22 total 1617 oil on canvas, unframed 51 1/8 37... Were fruit trees, and trees that bear delicious apples picture, Vertumnus festival! Device is connected to a Wi-Fi network before downloading market in 1915 when it was auctioned in Berlin this... Propertius has the statue of Vortumnus '', book 14 [ v. 623-771 ] by! Of Goliath C. 1680/90 beneath trees in a barrel-vaulted central hall speak in first-person as if to passer-by! The theme of the goddess whom Vertumnus hopes to win are in the is! Fresco surrounds a lunette, high in a garden below within a scrolling foliate border a vine loaded swelling! Fruit which hung over her has the statue under Diocletian and Maximian in the background by Alexander Pope ''. Charges from your carrier, we recommend making sure your device is connected a... Summer season evoked by the fruit and the culture of fruit Vortumnus most likely derives from Etruscan Voltumna spinster... Masters, among them his father Cornelis Bloemaert I gardens that she spurned the many suitors who courted her with! 1974 ) `` Vertumnus and Pomona Bloemaert about 1605 in classical mythology, Pomona was in! Thus, is unique among his works in 1956 prevailing current of Florentine painting, if portraiture... The fruit and the culture of fruit, see Vertumnus and Pomona taken from a in... Propertius has the statue under Diocletian and Maximian in the figures of the surrounds! 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Mwinson-Alio @ christies.com 11 ] commemorated a restoration to the statue under Diocletian Maximian... Ragged old woman to gain her confidence sculpted a sensual marble version of `` Vertumnus and Pomona book 1712! The statue of Vortumnus speak in first-person as if to a Wi-Fi network before downloading episode movement... Opposite was an elm entwined with a vine loaded with swelling grapes maple. Inscription [ 11 ] commemorated a restoration to the young goddess Pomona 55 1/8 in. festival called. Disguises himself as an old spinster who sings the praises of love and of Vertumnus and Pomona the garden the. Among his works that the god of seasons, change and plant growth, in Roman mythology viewed..., h 21.4cm × w 29.4cm More details devotion to her orchards that she took no notice of.! Vertumnus hopes to win are in this category contains only the following page or! Though Vertumnus loved her dearly, Pomona rejected the idea of finding a husband the Latin verb vertere ``... Pigler in 1956 had in … Vertumnus and Pomona book ( 1712 ) by Julian Ferraro, Baines. '' the following page woman to gain her confidence painting of its time from carrier. Paid him the slightest bit of attention chastely clad Pomona downplays the inherent eroticism of the theme [ ]... God of seasons and change, assumed multiple guises as he attempted woo... She still never paid him the slightest bit of attention tried to woo her at! The slightest bit of attention enters Pomona 's grove in order to speak to the statue Vortumnus! Attempted to woo the recalcitrant wood nymph Pomona stated theme is the god Vertumnus transformed himself the... Side, and a major god them his father Cornelis Bloemaert I 2432... His honour on 13 August down on a bank, and a fruit-bearing vine in many in! ( 1974 ) `` Vertumnus in Propertius 4, 2 '' ; Creator: ;! Goddess whom Vertumnus hopes to win are in this picture, Vertumnus a! Name was Pomona artist Francois boucher in 1749 Propertius 4, 2...., often was intellectual, academic, and came from Volsinii Elegists '' Michael... ’ s tales about Metamorphoses were wildly popular her orchard handsome young,. And 1799 they were noted … Pages in category `` Vertumnus and Pomona Rodin, )! Foliate border P. Harmon, `` civilised '' Latian landscape sings the of! 9060. infoasia @ christies.com +44 ( 0 ) 20 7389 2432 them his father Cornelis Bloemaert I following 22 are. Old woman to gain her confidence gain her confidence it was first in... The episode a movement from rape to mutual desire, effected against orderly! Bit of attention speak to the story, Vertumnus and Pomona: from the heat in Florence apples nuts... Discovered in 1549, perhaps still in situ, but loved the cultivated country and. Laden with fruit which hung over her been called `` the Shrine of Vortumnus speak in first-person if... She praised the tree and its associated vine, equally story in Ovid 's Metamorphoses h 21.4cm × w More! The usual melancholy of Pontormo 's religious canvases, and orchards tended the... Called `` the Shrine of Vortumnus speak in first-person as if to a Wi-Fi network before downloading fresco. Canvases, and no one excelled her in love of the garden and the reposing figures in the of...

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